The experience of working with “real” gods serves as a fundamental “tuning of the instrument”, creating the necessary resonance and preparing the channels of the mage’s consciousness.
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The experience of working with “real” gods serves as a fundamental “tuning of the instrument”, creating the necessary resonance and preparing the channels of the mage’s consciousness.
Magic is the art of returning sight to the “Blind god,” without waiting for dawn.
The true demons of the social sphere are the so‑called “mass media.”
The figure of Sabaoth binds together the Gnostic and Hermetic Myths, acting as a “mediator” between aeonic, archontic, and “Kabbalistic” reality
Epiclets are personified structures of reverse vortical movement.
Grasping the mechanisms by which information is imposed upon the Medium opens the way to conscious contact with the very ground of being.
For the Hermeticist the world is above all a ‘universe inward’; for the uninitiated it is a ‘universe outward’.
Astaroth’s breath becomes the very atmosphere of modernity — that cold light in which everything seems visible, and precisely for that reason one feels less and less inclined to go further.
Apollo (nomos/reckoning), Dionysus (the vital continuum), and the Fairies’ flux — the krus, a living form reducible neither to discursive reason nor to the passions — constitute three self-subsistent primal principles.
The Eleusinian initiation is the attainment of an inner form that makes the soul more whole and less mortal than it once was
They change the world more like Magi, applying special volitional efforts, directing their wisdom and energy, transforming streams of forces and probabilities according to their desire.
Reality is a coordinated play of logoi (relations/laws), their eidoi (ideal mathematical forms), and the corresponding nomoi (operational codes of things).
Archons, as the “authors” of Heimarmene — the reality established in opposition — may be regarded as manifestations of the Power of Nahash.