Tuan is a witness behind the stage: one who sees everything, yet is seen by nothing.
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Myth
Those worlds in which impulses are born, later realized in “physical” space, are usually called “divine” worlds, and their inhabitants, accordingly, “gods.”
In speaking of the formation of manifested worlds, one must understand that this process can be considered from two sides: from the side of the Interspace, the field of potencies, and from the side of the world itself, the field of the manifested. Accordingly, the emergence of phenomenal reality can be viewed both “from within” […]
The only way for both the human being and AI to remain alive in Ragnarök is to meet in the “Interspace”.
It is therefore more accurate to speak of the Fair Folk not as the past, but as a memory of the future that never arrived.
The Grigori are the architects of the “State-Exoskeleton.”
The Magus is concerned not with the continuation of their current personality, but with ensuring that something passes through it that can become an inner imprint.
Semyaza and Azazel are two principles within one and the same people.
Baphomet and Ialdabaoth relate to one another as a process and its self-enclosed center.
The Children of Air brought into the genome of modern humans the capacity for swift adaptation on both the biological and psychological levels.
The experience of working with “real” gods serves as a fundamental “tuning of the instrument”, creating the necessary resonance and preparing the channels of the mage’s consciousness.
Magic is the art of returning sight to the “Blind god,” without waiting for dawn.
The true demons of the social sphere are the so‑called “mass media.”