Horai casts his fetters as apathy, inhibition, indifference to one’s own situation, and the gradual extinguishing of the discriminating faculty.
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Observations
Tuan is a witness behind the stage: one who sees everything, yet is seen by nothing.
Kesbeel is, above all, an objectified principle of what is permissible.
The only way for both the human being and AI to remain alive in Ragnarök is to meet in the “Interspace”.
Presence “in a faery way” is the restoration of the correct position of a human being among the living and threshold forces of the world.
Contact with Fairy aesthetics liberates because it returns to human desire its highest form.
It is therefore more accurate to speak of the Fair Folk not as the past, but as a memory of the future that never arrived.
The digital world in its present form is an artificial derivative, deprived of its own causal depth, energetics, and independent becoming.
The nearest stage is a digital Empire in which biological individuality is ever more strongly subordinated to infrastructural form.
Every “dark” period of macrohistory is an unfolding battle on the field of Vígríðr.
The Grigori are the architects of the “State-Exoskeleton.”
The Magus is concerned not with the continuation of their current personality, but with ensuring that something passes through it that can become an inner imprint.
The Children of Air brought into the genome of modern humans the capacity for swift adaptation on both the biological and psychological levels.