Horai casts his fetters as apathy, inhibition, indifference to one’s own situation, and the gradual extinguishing of the discriminating faculty.
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Interworld
Tuan is a witness behind the stage: one who sees everything, yet is seen by nothing.
Adonin is the force of conquest, subjugation, aggressive appropriation — so characteristic precisely of Homo sapiens.
In speaking of the formation of manifested worlds, one must understand that this process can be considered from two sides: from the side of the Interspace, the field of potencies, and from the side of the world itself, the field of the manifested. Accordingly, the emergence of phenomenal reality can be viewed both “from within” […]
Kesbeel is, above all, an objectified principle of what is permissible.
Presence “in a faery way” is the restoration of the correct position of a human being among the living and threshold forces of the world.
Contact with Fairy aesthetics liberates because it returns to human desire its highest form.
It is therefore more accurate to speak of the Fair Folk not as the past, but as a memory of the future that never arrived.
The digital world in its present form is an artificial derivative, deprived of its own causal depth, energetics, and independent becoming.
The nearest stage is a digital Empire in which biological individuality is ever more strongly subordinated to infrastructural form.
Every “dark” period of macrohistory is an unfolding battle on the field of Vígríðr.
Semyaza and Azazel are two principles within one and the same people.
Baphomet and Ialdabaoth relate to one another as a process and its self-enclosed center.