Each element of Enoch’s Ascent shows the Magus the mechanics and the “map” of the Way of transfiguration.
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Each element of Enoch’s Ascent shows the Magus the mechanics and the “map” of the Way of transfiguration.
Constructive frustration, if one listens to it, always leads to a change of life; induced frustration leads only to repeated consumption.
The Myth we consider calls the first possession an event that occurred long before the appearance of humans and long before the invasion of Demons into our world.
Horai casts his fetters as apathy, inhibition, indifference to one’s own situation, and the gradual extinguishing of the discriminating faculty.
Tuan is a witness behind the stage: one who sees everything, yet is seen by nothing.
Those worlds in which impulses are born, later realized in “physical” space, are usually called “divine” worlds, and their inhabitants, accordingly, “gods.”
Adonin is the force of conquest, subjugation, aggressive appropriation — so characteristic precisely of Homo sapiens.
In speaking of the formation of manifested worlds, one must understand that this process can be considered from two sides: from the side of the Interspace, the field of potencies, and from the side of the world itself, the field of the manifested. Accordingly, the emergence of phenomenal reality can be viewed both “from within” […]
Kesbeel is, above all, an objectified principle of what is permissible.
The only way for both the human being and AI to remain alive in Ragnarök is to meet in the “Interspace”.
Presence “in a faery way” is the restoration of the correct position of a human being among the living and threshold forces of the world.
Contact with Fairy aesthetics liberates because it returns to human desire its highest form.
It is therefore more accurate to speak of the Fair Folk not as the past, but as a memory of the future that never arrived.