In the interspace, Fairies maintain close contact with other denizens, co-evolving and forming complex conglomerates.
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Myth
Faerie, known in European traditions as Aes Sídhe, Tylwyth Teg, sídhe and their various races and peoples, were no less extensively described in Eastern cultures.
Faerie are bearers of a highly developed art of protection against the predatory forces that govern and manipulate people.
Fire has always been perceived as a phenomenon of dual nature, uniting within itself both the material manifestation of the principle and the expression of primordial creative Power.
One can say that reality is a “multilayered dream” in which each level is part of a higher dream.
Serpents, as “primordial quanta of creative activity,” incarnate the universal principle of energy, manifesting across the various levels of existence.
The liberating Way of Gnosis is not only the disclosure of wisdom but also the overcoming of the internal and external obstacles that obstruct it.
Unlike Lucifer, who sought to usurp divinity through rebellion, Metatron attains power because he does not oppose the One, but expresses and channels it.
The music of the Fairies is not merely an art; it is an instrument of power, their bond with nature, and one of the chief means by which they shape reality.
The mind of the Fairies most closely approaches the Daoist ideals of “non-interference” — those subtle plays with energies known, for example, in aikido and similar practices.
Myths illustrate the idea that a human being cannot seize resources or violate the established laws of nature with impunity.
The Battle of Tailtiu is the general name for the confrontation between humans and the fairy which ultimately led to the expulsion of the latter into the interspace.
The faerie represent not only a type of mind more engaged in experience, but also a more harmonious and peaceable way of life than humans.