The true Middle Way is a technique of bounded uncertainty.
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The true Middle Way is a technique of bounded uncertainty.
Heimarmene is the persistent inertia of perception—the habit of assembling the world according to the same template.
“The Battle of Liffe” is a key episode in humanity’s early paleo-history prior to the flood events.
The essence of the destructor is the distortion of guarding one’s own boundaries, carried to destructiveness both for the mind itself and for its surroundings.
A confusion has become firmly entrenched in contemporary mythology: the conflation of three peoples utterly different in energy, function, and origin, yet similar in the impression they produce on a person.
The Cities of Wisdom were not the “birthplace” of the Tuatha de Danann; they were the crucible of their becoming, their schooling, and their “coming-of-age.
The destructor of appropriation manifests on three levels of deprivation of subjecthood: appropriation, dissolution, and imposition.
Where all is reduced to mere accumulation, Typhon tightens his fetters and turns the striving for victory—or even prudence—into bondage.
BAG — the ether of the Interworld, generated by the Aeon Makariotes (Blessedness), is a sustaining haven, a place of rest and calming along the way.
Atlantis — the “land of Masters”, the first manifestation in the world of formed and forming Powers, the first victory and the first failure of creative efforts.
Different ka, produced by a single stream of mind, set out along parallel routes, undergoing different variants of postmortem experience.
Eurynomes terrify with their indifferent mechanics, like meat grinders of energy.
The Gnostics reinterpreted the classical image of the Goddess of Witchcraft in their own way, and “Pistis Sophia” uses her name as an epithet for one of the Primary Archons.