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Myth

Enmerkar's Blog

The original concept of the Qliphoth is closely connected with ideas about the Tree of the Sefirot. It is held that each Sefira has its reflection — a qlippa. However, contrary to common belief, the Qliphoth are not “anti-Sefirot”.

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Anyone who, in one way or another, has had the experience of perceiving the Interworld has noticed that a strong wind constantly blows there. Since it is odd to attribute the properties of earthly weather to the Elements, the question arises: what is the nature of this wind and what explains its its strength and constancy.

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Although the concept of “Hell” in the familiar Christian sense is foreign to magical thought, magic nonetheless organically includes the notion of grim Worlds of Retribution.

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The Slavs were in particularly close communication with the spirits of nature, which is why Slavic lower mythology preserved numerous descriptions of the character and peculiarities of various Stikhials.

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Arguably it is difficult to find, in any mythology, a figure as contradictory both in its very nature and in the attitudes toward it as Loki — the Cunning Aesir of the North.

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If the process of the Father entering the Mother, the Spirit entering Matter, is excessively accelerated, it leads to traumatic consequences, since the new, light-filled elements do not have time to integrate into the existing system.

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The sole reality acknowledged was precisely the Most High, who, in proceeding to the creation of the World, was conceived in his creative aspect as Rod the All-Sustainer.

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In addition to the Guide who helps the soul cross from life to death, this journey requires a figure who makes the process irreversible. It is precisely the Ferryman’s function of severing ties that renders him the bleakest character in the drama of disembodiment.

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The Vertical Flow, comprising both descending and ascending currents of force, has several symbols; the best known among them is the image of the Chariot of the Most High — the Merkabah (Heb. מֶרְכָּבָה‎, “chariot”).

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