For the Magus it is very important to learn to assess a situation in terms of the timeliness of ideas — to understand when it is better to speak and when it is better to remain silent.
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For the Magus it is very important to learn to assess a situation in terms of the timeliness of ideas — to understand when it is better to speak and when it is better to remain silent.
Which way to choose — to return to gilgul, to linger in the elements, to enter a stone or a tree — is decided by each Family, each Magus on the threshold of their Last Battle. And that choice in any case deserves respect — respect for the spirit of the warrior.
The Tetractys (or the “Sacred Pyramid”) embodies a vivid form of the Universe’s wholeness, which progresses from its unity toward the multiplicity of the material world.
For the Magus the world is not entirely real, but it is not merely illusory either. Magic proceeds from the fact that all we perceive is a product of description; yet that description is not erroneous — it is based on the potencies of reality, although it is usually distorted by alien influences on the mind.
For the Magus, living amid a real environment of interacting Forces, it is crucial not to fall into stereotypes but to attempt to differentiate those Forces, which will help him become clearly aware of their character and sphere of action.
The idea and method of forming Magical Families throughout the entire history of Magic have been among the central cores of the Way of Power, and the importance of this core is hard to overestimate.
Despite the apparent differentiation of the pagan cosmovision, it turns out that such a multiplicity is actually closer to a Synthetic Unity than many monotheistic pictures of the world.
By the nature of their action, the forces governed by the gods are clearly divided into producing forces and forming forces.
Since ancient times the Moon has evoked highly ambivalent feelings and attitudes in people: it inspires and moves some, oppresses others, and destabilizes everyone to some degree.
One of the figures popular in contemporary mythology are the rather grim spirits who act as the “sanitarians” of embodied worlds and also “trigger” the process of disembodiment. Modern mind has grown accustomed to calling them “flyers” following Latin American writers; their traditional name is Galla (Gallu), and I prefer the name S. King gave them — the Langoliers.
In Magic the notion of the Passive milieu has a thoroughly practical meaning — it is precisely within it that the axes of realization are formed, and it is from it that the creative will of the Magus “moulds” the vortices that modify the cosmos.
The magical myth regards Power in two modifications — in the aspect of Vital and Personal Power (Meigin and Mattr). Unfortunately, these two kinds of power are very often confused, which prevents their effective use.
The great power of opposition, manifesting in the Cosmos as the Gatekeeper and in the realm of energies as the Serpent Nakhash, appears at the level of the Psychocosmos as the Demon of the Abyss.