Laziness, as a manifestation of failing to see the value of action, is a true scourge of our age; it is precisely pervasive indifference—suppressed and withered drives—that creates the principal “food base” for Demons of every sort and caliber.
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Laziness, as a manifestation of failing to see the value of action, is a true scourge of our age; it is precisely pervasive indifference—suppressed and withered drives—that creates the principal “food base” for Demons of every sort and caliber.
The destructive darkness of the “anti-cosmos” and the engulfing, dissolving darkness of chaos differ in nature and in their mechanisms of influence on the “daytime” mind.
When making a correct “diagnosis” one must proceed with the utmost care and deliberation, understanding that a wrongly identified cause will not only fail to help therapy but may also worsen the pathogenesis.
To understand what “kind of destruction” a Magus is dealing with means either to accept that destruction as necessary (and perhaps even to facilitate it), or to oppose it.
Ziminiar — the “Emperor of the North” who blocks the mind’s actualizing, creative activity, “freezing” and paralyzing its living flow.
“Ministering” spirits, in their opposition, ensure the dynamic equilibrium of a system, yet they also hinder the integration of its component dualities.
Azazel objectifies a destructive matrix of guilt—the “inner desert” of the mind into which it drives itself when caught in the snare of a “sense of sinfulness.”
Amaimon is firmly associated with trade, accumulation, cunning, and avarice.
A being is able to defend itself from demonic infiltration on its own only until the predator has actually crossed the Gates.
For the Magus the principal value is precisely the inner harmony, integrity and order of the mind, and, by striving for them, he can more or less effectively resist attempts to infiltrate his psychocosm.
The Magus must not merely become aware of unity, nor even simply see it; the Magus must also awaken his heart, find within himself a living source of love and compassion.
It can be said that any successful Magus is a goetic Magus, even if the Lemegeton is not his reference book.
The Magus does not identify himself with the personalities and subpersonalities that flow one into another, nor does he deny them; he watches the play, sinks into his undifferentiated depth and reappears on the surface, avoiding both absolutism and nihilism.